Posts Tagged chanel

Poetry in Paris.

Pastel colors, gleaming necklace, nude color shoes, bronze nail polish and a little mirror hidden in my purse, just to make sure everything is ok. As the street door is closed, Paris is ready to support my little steps through the mild night. Lamps illuminate my way, decorated balconies make me glimpse other people’s lives. As a witness, I pay my respect. Another night goes by and the Old Lady fooled me once againg, making me think that perfection exists.

-compact mirror CHANEL
-nail polish 708 Pèpite Gold Nugget DIOR
-Lipstick Rouge Personnel 16 YSL
-shoes color nude Christian Dior


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Seduction & perfumes all in 30 seconds.

Devo fare attenzione quando guardo le pubblicità dei profumi.
Esercitano un’empatia e attrazione tale sulla mia mente, più di ogni altra pubblicità di ogni altra categoria merceologica.
Sarà per l’effetto evocativo, perchè comprende un senso così astratto ma allo stesso tempo fondamentale. Perfino l’attrazione tra due persone avviene attraverso il “riconoscimento” dell’altrui profumo. Il profumo rappresenta l’emblema del brand: per marchi rock la fragranza avrà caratteristiche e note olfattive più sviluppate e decise, mentre per marchi più femminili che si basano sull’eleganza, le note base saranno fiorite. Riconoscersi in un tipo di profumo equivale ad accettare il brand nelle sue particolarità. E la pubblicità ci aiuta in tale processo. Ci seduce facendoci ammirare la delicata ma forte Keira Knightley che salta sulla moto per Chanel. Un misto tra seduzione e forza. Ci delizia con Natalie Portman che nell’intimo della propria camera si prova abiti, fa il bagno e gioca col fidanzato, per Dior.
Il tutto davanti ai miei occhi estasiati e complici dell’altrui femminilità.

I’ve to be carefull as I watch perfumes advertising.
They exert such an empathy and attraction on my mind, more than any other advertising of any product.
Maybe for the evocative effect, because regards a sense so abstract but essential at the same time. Even the attraction between two persons occurs with the other’s perfume “recognition”. Perfume is the symbol of the brand: for rock brands the fragrance has strong olfactory notes, while for more feminine brands based on elegance, the notes will be flowery.
Recognizing with a kind of perfume means accepting the brand in its peculiarity. And the advertising helps. It seduces, showing us the delicate but strong Keira Knightley who jumps on the bike, for Chanel. A mix between seduction and strenght. It delights us with Natalie Portman in the privacy of her bedroom who tries on some dresses, takes a bath and plays with the boyfriend, for Dior.
All in front of my eyes, delighted and accomplice of their femininity.

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Clogs not clogs, this is the question.

Chanel (1),  Stuart Weitzman(2), Casadei (3).

They seem to be the tendency of summer, declined in every colour and version. I’m talking about the clogs. You can love them or hate them, it’s like black or colours, heels or flats, breast augmantation or natural, democratic or republican, long or short haircut, there’no medias res. Personally I don’t think they’re good for me, they make me fell unwieldy and uncomfortable. I need heels. Good reason to avoid wearing them.

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